The Future of Content Is Not in Your Computer

There was once a day when a computer filled a room. Now it’s in your palm. That’s the story my dad tells me at least. Soon, when my future children are old enough to understand, I’ll tell them how I used to read books and magazines made out of paper and I couldn’t simply touch the screen of my computer to make things happen. Also, I used to walk to school uphill, both ways, in the snow.

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Converse Rubber Tracks - The ultimate brand story

Converse: Writing Their Story with Rubber and Vinyl

When we think about brand storytelling, we often imagine a brand as defined by its history. But how many brands pay homage to their histories? Especially those that have fluctuated as greatly as Converse’s?

Converse’s story began with great success. With a distinct American image and near stranglehold in athletics — particularly basketball — Converse ruled the feet of teenagers and young adults in the ’50s and ’60s. But new players like Nike, Puma, and Adidas appeared, slicing at its market share and innovating the field to the point that Converse lost its NBA sponsorship and ultimately was forced to file for bankruptcy in 2001.

Usually this would be the death knell for a shoe company — but not for Converse.

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Were the “Most Interactive Oscars” the Worst Oscars?

As expected, yesterday’s Academy Awards were about movies, celebrities, and red carpet style. But more than ever in its 83-year run, the annual ceremony put social media center stage. Behind-the-scenes websites, apps, and real-time commentary were designed to make these Oscars the most interactive yet. The big idea: Double your screens, double your fun. Great in theory, but with the apps and tools we used, we found our fun severely diminished.
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Congress Turns Down the Volume

Is your thumb sore and blistered from hitting the mute button? We have good news for you. After decades of complaints from TV viewers who are sick of obnoxious ads blaring in their living rooms, Congress has decided it's finally time to set “internationally accepted standards of television advertisement volumes.” So now the only button brutalizing your opposable digit will be the DVR fast forward!
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TV Ads: Paying Attention to Misleading Numbers

Researchers at The Council for Research Excellence recently concluded that some TV watchers do, in fact, stay in the room during commercial breaks. Or, as they put it, "Most TV Viewers Do Not Leave the Room or Even Change Channels During Commercial Breaks.” The CRE highlights select results to conclude that viewers stay put because they're captivated by what the ad spots have to offer. The truth, more likely, is that these couch potatoes are patiently waiting for their favorite show to resume, engaging with other humans or other media, or are just too lazy to press fast forward on their DVR remote, let alone leave the room. Thankfully, Ilya over at the excellent AdLab has weighed in to help make some sense of the data.
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Who’s In Charge, Sources or News Directors?

The home page of Huffington Post carried another media report Wednesday by Story Worldwide’s CEO and Chief Editorial Officer Kirk Cheyfitz. “For Tiger Photos, NBC Caves in to Annie Lebovitz” discusses the restrictions the photographer demanded and got from TV networks that wanted to use her images. Kirk's not happy with what this might say about the media’s volatile climate.
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CALL ME, G.O.P.: Can the Social Web Save the Republican Party?

Blessings and thanks to The Daily Beast for reporting that Story Worldwide, the agency that brings you this blog, has launched an experiment to use the social web to find a true, authentic and sustainable brand for the Republican Party, presently a total and humiliating disaster. To join the struggle to find the new soul of the G.O.P., go to the site we've created: Call Me, G.O.P. (as in "Call me anytime for help or advice").
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He’s just not that into ads

I’ve been intrigued and impressed with the tv ads for “He’s just not that into you”. They have an all star cast with clout, they were humorous and they were, wait for it, different. It wasn’t the same ad over and over, but a series of ads which all boiled down to the same same story platform, which happens to be the same as the title of the movie. So far, so good.

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