Story basics - a coherent narrative
Story basics - a coherent narrative

When talking about storytelling, we often reference film. It's a good analogy. It can be easier to make people understand authenticity - would De Niro have got that Oscar if he hadn't learned a Sicilian dialect of Italian for The Godfather? It can help people understand the importance of all the detail - would Blade Runner have had such power without the strange announcements and dialects in the background and the giant video screens?*

Some po-mo filmakers will even tip a wink to the audience and carry out a bit of co-creation, rewarding the geeks. For example, the opening scene of Roland Emmerich's Independence Day features a sleepy monitoring station with REM's "End of the World As We Know It" playing in the background.

Which brings me to Mr. Emmerich's latest diaster film, 2012. Catch the trailer after the jump, then help me figure out what the hell is going on.

Looks interesting, eh? Very apocalyptic. And with a conspiracy and everything. Goody. What interests me, however, is the bit at the end:

Google Search: 2012

I was interested to see what this led me to, so dutifully I googled 2012 and got.........nothing. Well, I say nothing. Top result was about the Olympics in 2012. Which may well be a disaster, but I'm not sure Columbia Pictures are in the business of making political in-jokes with their marketing budgets. There's an imdb entry about 2012 (the film) which is as informative as you'd expect.

However, in the midst of these are a couple of references to 2012 being the end of the ancient Mayan calendar. This is something I didn't know, and I confess, I did read it. Now, my question is: Is this deliberate? Are they asking you to google 2012 on the basis that you'll find out about the Mayan legend yourself? This seems risky. After all, they must have tried it and seen that the Olympics is the top result. Are they hoping that interest in the film is such that the Mayan legend will move up the search rankings?

If so, it is a bravura piece of marketing. It shows a trust in the audience and an understanding of digital rarely seen. In allowing the 2012 disaster story to be told by independent sources, it sets up the movie brilliantly.

But....I can't help feeling it is a bit too clever. The link between the trailer and the fourth entry on a Google search is a touch loose. Does the narrative break? I'm of two minds.....



 

Comments

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December 30. 2008 8:07 PM

Jim Boulton

I think it's a straightforward localisation issue. The Olympics dominate the top 10 result in google.co.uk but the apocalypse dominates google.com. Very clever.

Jim Boulton

December 8. 2008 10:54 AM

unknowncomic

They may have just had a media buy error - when I searched just now (Monday, 8 Dec.) there's a paid result at the top for something called "The Institute for Human Continuity" which appears to be a tie-in to the film (clicking the privacy policy shows it's owned by Sony Entertainment)

My top organic result was for a Wikipedia entry on 2012 as being a "great year of spiritual transformation," and all of the results had to do either with the movie, or with the notion of 2012 as an apocolyptic year.

So maybe it just took a couple days for this to work through the Google system - waste of some valuable trailer time, though!

unknowncomic

December 3. 2008 6:09 AM

MC Word

Can I be the first to suggest that the marketing campaign is going to be cleverer and more interesting than the actual movie?

Martin, you mentioned authenticity at the beginning of your post. Is it significant that Emmerich, like a Mayan calendar in miniature, cranks out silver screen predictions of apocalypse every two years?

Does anyone think the world is actually going to end in one of his films? The strapline should have been: ‘No, this time I really think we’re done for...’.

Maybe this marketing campaign is a tacit admission that we’ve become immune to the blockbuster movie trailer format?

Perhaps they figure that the uncertainty and disquiet (and, indeed, the fragmented information gathering process) created by independent research on the web is more chilling and believable than the standard shots of the hero looking to the horizon and the Presidential address reluctantly announcing Armageddon?

MC Word

December 2. 2008 3:23 PM

Kirk

I have to agree. I do so reluctantly, because I am big fan of the ancient Maya and their notoriously complex long count calendar. Even so, I spent an uncertain few moments staring at the various results for 2012. (Googling from the US, Wikipedia's totally unreliable entry on predictions of a Mayan doomsday tops the results and I have made a vow never to use Wikipedia; but the Olympics are near the top, as well.)

I have to confess that I went first to IMDB (where I am a subscriber) and wasted a few precious moments finding out nothing new about the movie (except it is the 33rd most searched-for flic on IMBD, which is no mean feat for a movie that won't be out for six months.)

The most interesting part of all this for me is the misdirection in the trailer. Why the government conspiracy nonsense to introduce a movie about the end of time and the capriciousness of the gods (the Maya's concerns)? It doesn't track, but maybe the marketers here get points for letting the web tell their plot better than their trailer. Mostly, however, it's just confusing and the story gets fragmented and lost in the shuffle.

In future, when marketing via a Google search, it may be best either to cut a deal with Google or think things through a little better so you can make your point cleanly and crisply. (For example: the search terms "2012 disaster" return nothing but the Mayan legends and versions thereof.)

But, on the other hand, Martin and I are both talking endlessly about this, so....enjoy the show. (It opens first in Egypt on July 8 -- another kernel of trivia from imdb.)

Kirk

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